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MandarinClips Cinema Corpus
《Love Has Fireworks》 S1·E8 (39:32) HSK 6
wǒ dǎo shì xiǎng a kě rén jiā kàn bù shàng wǒ ya

我倒是想啊 可人家看不上我呀

“I'd love to. But she isn't interested.”

《Love Has Fireworks》 S1·E8
TIMECODE: 39:32 · 1080P MASTER AUDIO

THE DIALOGUE REEL

1+1+1 SPOKEN CONTINUITY
[-1] PREVIOUS TURN nà zhè me yōu xiù de yí gè rén cái xiǎo lǐ zǒng wèi shén me bù zhāo zhì huī xià ne

那这么优秀的一个人才 小李总为什么不招至麾下呢

“Why don't you recruit such an outstanding talent to your firm?”

wǒ dǎo shì xiǎng a kě rén jiā kàn bù shàng wǒ ya CURRENT FOCUS

我倒是想 啊 可 人家 看不上我 呀

“I'd love to. But she isn't interested.”

[+1] FOLLOW-UP TURN rén jiā duì zhì zhōng jiàn tóu shì yì diǎn xìng qù dōu méi yǒu

“She has no interest in Zhizhong.”

Subtitles synced to millisecond timecode Browse Show Clips →
Scene: Workplace
Function: SELF DEPRECATING EXPLANATION
Tone: SELF-DEPRECATING
Emotion: RESIGNATION
WHAT THEY REALLY MEAN (PRAGMATIC SUBTEXT)
“Don't blame me for not hiring them; they consider our company beneath them.”
💡 Cultural Insight: Modesty and Face-Saving (自谦保面子)

Framing another person's rejection as 'they look down on me' allows the speaker to display humility while saving face from professional incompetence.

INTENT TAGS: #self_deprecation #deflection #explaining #conceding
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LEARNING CHUNKS & PARTICLES

2 CHUNKS · 2 PARTICLES
倒是想 SPOKEN CHUNK

would certainly like to / actually wish to

Used to concede desire or willingness before introducing an insurmountable obstacle introduced by '可' or '但是'.

看不上 SPOKEN CHUNK

to look down on / consider unworthy

Commonly used in social, romantic, or workplace contexts to denote someone rejecting an offer deemed below their standards.

Modal Particle「啊」 (a) CHANGE OF STATE

Emphasizes the sincerity of the speaker's willingness.

Modal Particle「呀」 (ya) CHANGE OF STATE

Softens the bluntness of admitting rejection while conveying helplessness.

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VOCABULARY & EXPRESSIONS

3 EXPR · 0 GRAMMAR
CROSS-CINEMA CORPUS BOARD · PARALLEL SCENES

Parallel Spoken Cinema Scenes (语义近邻切片)

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《Love Has Fireworks》 S1·E8 (39:32) · Authentic Cinema Dialogue Corpus