MC
MandarinClips Cinema Corpus
《Road to Success》 S1·E32 (10:02) HSK 5
bú shì lǎo pó nǐ bié bié bú yào wǒ ya

不是 老婆你 别 别不要我呀

“Come on, honey. Don't leave me behind.”

《Road to Success》 S1·E32
TIMECODE: 10:02 · 1080P MASTER AUDIO

THE DIALOGUE REEL

1+1+1 SPOKEN CONTINUITY
[-1] PREVIOUS TURN wǒ qù hóng jǐng nà biān nǐ kè zhì diǎn a

“I'll go over to Hongjing's side. Restrain yourself.”

bú shì lǎo pó nǐ bié bié bú yào wǒ ya CURRENT FOCUS

不是 老婆 你 别 别不要我 呀

“Come on, honey. Don't leave me behind.”

[+1] FOLLOW-UP TURN lǎo pó nǐ gēn lái gàn má ya yī rén zhī chí yí gè nǐ zhī chí nǚ ér a

老婆 你跟来干嘛呀 一人支持一个 你支持女儿啊

“-Honey. -What are you doing here? We each support one side. You support our daughter,”

Subtitles synced to millisecond timecode Browse Show Clips →
Scene: Family & Home
Function: PLEADING AND COAXING
Tone: TEASING
Emotion: ANXIETY
WHAT THEY REALLY MEAN (PRAGMATIC SUBTEXT)
“Come on honey, don't give up on me—please don't leave me behind!”
💡 Cultural Insight: Pa lao po / playful submission

In contemporary Chinese domestic culture, a husband showing vulnerability or acting playfully submissive toward his wife—often with humor—is a common dynamic to defuse marital conflicts and express affection and respect.

INTENT TAGS: #coaxing reconciliation #spousal banter #feigning weakness for sympathy
🧩

LEARNING CHUNKS & PARTICLES

1 CHUNKS · 1 PARTICLES
不要我了/别不要我 SPOKEN CHUNK

don't leave me / don't abandon me

Commonly used between couples or spouses to act cute and seek reconciliation; it exaggerates helplessness to express dependence rather than implying literal separation.

Modal Particle「呀」 (ya) CHANGE OF STATE

Used at the end of a sentence to soften the tone, conveying playful pleading and reducing perceived urgency.

🏮

VOCABULARY & EXPRESSIONS

3 EXPR · 1 GRAMMAR
CROSS-CINEMA CORPUS BOARD · PARALLEL SCENES

Parallel Spoken Cinema Scenes (语义近邻切片)

EXPLORE BY SEMANTIC SIMILARITY
《Road to Success》 S1·E32 (10:02) · Authentic Cinema Dialogue Corpus