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《Unsettled Case》 S1·E2 (08:57) HSK 7
- hái yǒu qí tā xián fàn ma ? - bài tuō duō zhe ne

- 还有其他嫌犯吗? - 拜托 多着呢

“- Were there other suspects? - [Fergus] Come on. Plenty.”

《Unsettled Case》 S1·E2
TIMECODE: 08:57 · 1080P MASTER AUDIO

THE DIALOGUE REEL

1+1+1 SPOKEN CONTINUITY
[-1] PREVIOUS TURN jiù suàn tā tuī le tā yī bǎ nà yī cì shuāi dǎo bìng bù zú yǐ zhì sǐ

就算他推了她一把 那一次摔倒并不足以致死

“Even if he had given her a shove, that fall wasn't enough to kill her.”

- hái yǒu qí tā xián fàn ma ? - bài tuō duō zhe ne CURRENT FOCUS

- 还有 其他嫌犯 吗 ? - 拜托 多着呢

“- Were there other suspects? - [Fergus] Come on. Plenty.”

[+1] FOLLOW-UP TURN zuò tā nà xíng de shù dí bǐ wǒ men hái duō

做她那行的 树敌比我们还多

“In her line of work, she had more enemies than we did.”

Subtitles synced to millisecond timecode Browse Show Clips →
Scene: Legal & Police
Function: DISMISSIVE REBUTTAL
Tone: DISMISSIVE
Emotion: EXASPERATION
WHAT THEY REALLY MEAN (PRAGMATIC SUBTEXT)
“Are you kidding? She had enemies everywhere; we are practically swimming in suspects.”
💡 Cultural Insight: Colloquial Exasperation Markers

Using '拜托' (come on) paired with the particle '呢' in '多着呢' signals rapid-fire peer interaction where professional detachment gives way to casual exasperation.

INTENT TAGS: #dismissal #exaggeration #impatience #clarification
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LEARNING CHUNKS & PARTICLES

2 CHUNKS · 2 PARTICLES
拜托 SPOKEN CHUNK

come on; please; give me a break

Informally used to express mild exasperation or to call out an obvious question or remark.

多着呢 SPOKEN CHUNK

there are tons; plenty; a great deal

A colloquial way to emphasize an abundant quantity with an informal, assertive tone.

Modal Particle「吗」 (ma) CHANGE OF STATE

Marks a direct yes-no question inquiring about the existence of other suspects.

Modal Particle「呢」 (ne) CHANGE OF STATE

Follows the verb/adjective construction '多着' to emphasize an ongoing state of great abundance.

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VOCABULARY & EXPRESSIONS

3 EXPR · 8 GRAMMAR
CROSS-CINEMA CORPUS BOARD · PARALLEL SCENES

Parallel Spoken Cinema Scenes (语义近邻切片)

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《Unsettled Case》 S1·E2 (08:57) · Authentic Cinema Dialogue Corpus