MC
MandarinClips Cinema Corpus
《Love Story in the 1970s》 S1·E7 (39:47) HSK 7
nǐ bù guǎn shì huà huà hái shì gàn má nǐ zǒng dīng zhe rén jiā nǚ tóng zhì kàn

你不管是画画还是干吗 你总盯着人家女同志看

“No matter if you're drawing a portrait or so on, if you keep staring at girls,”

《Love Story in the 1970s》 S1·E7
TIMECODE: 39:47 · 1080P MASTER AUDIO

THE DIALOGUE REEL

1+1+1 SPOKEN CONTINUITY
[-1] PREVIOUS TURN nǐ zhè lǐ jiě tǐng yǒu yì si de wǒ wǒ jiù shì tí xǐng nǐ

“That's an interesting take. This is just a reminder.”

nǐ bù guǎn shì huà huà hái shì gàn má nǐ zǒng dīng zhe rén jiā nǚ tóng zhì kàn CURRENT FOCUS

你不管 是 画画 还是 干吗 你总 盯着 人家 女同志 看

“No matter if you're drawing a portrait or so on, if you keep staring at girls,”

[+1] FOLLOW-UP TURN rén jiā huì shuō nǐ zuò fēng yǒu wèn tí nǐ xiǎo xīn diǎn ba nǐ

“people will complain about your conduct. You should be more careful.”

Subtitles synced to millisecond timecode Browse Show Clips →
Scene: Social & Dating
Function: WARNING AND ACCUSING
Tone: REPROACHFUL
Emotion: DISAPPROVAL
WHAT THEY REALLY MEAN (PRAGMATIC SUBTEXT)
“Stop using art as an excuse to ogle women—it's inappropriate and people will talk.”
💡 Cultural Insight: Lifestyle Discipline (作风问题 Zuofeng Wenti)

In classic and socialist-era Chinese society, inappropriate romantic or sexual conduct was treated as a severe moral and institutional flaw ('work-style/moral conduct problem') that could ruin a career.

INTENT TAGS: #calling_out #accusing #moral_warning #reproach
🧩

LEARNING CHUNKS & PARTICLES

2 CHUNKS · 0 PARTICLES
不管……还是干吗 SPOKEN CHUNK

no matter whether... or doing whatever else

A colloquial way to brush aside whatever justifications or activities the other person claims to be doing.

总盯着……看 SPOKEN CHUNK

always staring at...

Used to express criticism or annoyance when someone is caught repeatedly staring at another person.

🏮

VOCABULARY & EXPRESSIONS

6 EXPR · 3 GRAMMAR
CROSS-CINEMA CORPUS BOARD · PARALLEL SCENES

Parallel Spoken Cinema Scenes (语义近邻切片)

EXPLORE BY SEMANTIC SIMILARITY
《Love Story in the 1970s》 S1·E7 (39:47) · Authentic Cinema Dialogue Corpus