The Lead
主角
多年前，县剧团招学员，在团里任司鼓的胡三元替外甥女报名，将年少的她改名易秦娥从家乡带出来学唱秦腔。因胡三元造成的事故，易秦娥受到影响，学习秦腔之路屡遭波折。但她凭借刻苦的劲头和自身的条件获得了老艺人的赏识和热情帮扶。她的“破蒙戏”在乡村舞台上音惊四座，后改名忆秦娥被调入省秦腔团。 她勤学苦练，在台上的演出屡获成功。历经波折，她终于明白对秦腔艺术的传承才是她作为“主角”的真正意义，她将继续培养新一代秦腔舞台上亮丽的主角。
DIALOGUE CLIPS (5756)
noticed that she was a sprout back then.
you could be a guard or a cook or do whatever was needed.
I'd even say that in a few years,
Once we nail this, the full-length play will be easy.
If not, don't reveal the kid's talent.
We don't want extra trouble or anything bad for the kid.
The kid was overlooked before because we were blind.
If the kid is buried again now, we'll never forgive ourselves.
Qinqiang opera performers today are already facing a talent gap.
On a smaller scale, our troupe has a future.
Kid, do you hear that?
Who knew she'd be that tough?
Those veteran artists noticed that she had real opera talent.
Her basic skills are rock solid.
Our trainees can't compare.
You do the job your post calls for.
How is this not our troupe's business?
training dozens of successors, and they aren't
and the kids in the trainee class?
on these minor gains.
We need to have a broader vision.
With your perspective, what's there to argue with me about the bigger picture?
It's called having a vision.
it's gone for good. Isn't that his answer?